I think that I found my tuberose.
This is a serious matter. Regular readers of this blog were exposed to my lack of enthusiasm for white florals in generals (yes, they're florals! they're white! they're pretty! I prefer my pretty clouded in a little mystery, darkness and with a side of wood and leather. And, if possible, I want Andy Tauer to make it); and for tuberose in particular (other than notable few, they all smell like my mother, which is a good thing if you are my mother, not so much if you're me).
Tubereuse Couture by Parfumerie Generale is different. It doesn't smell even remotely related to the big diva, Fracas. The opening, with its strong ylang-ylang and green stalks is a wonderful of example of how perfumer Pierre Guillaume combines notes in an unexpected way, to make interesting, slightly twisted scents. I love the herbal-medicinal quality that mixes with the floral top notes. It has you guessing.
The green jasmine is a natural development. It keeps the scent fresh and alive, and the mix reminds me of some of my favorite fig scents, where the green leaf balances the fruit. The official notes don't say anything about either fig or coconut, but to my nose, the milky candied heart notes have a hint of that.
Neither the ylang-ylang nor the tuberose ever leave the scene. They are there, they do their dangerous dance throughout the perfume's development. The tuberose isn't heady as much as it's striking, and, yes, there's a difference. Heady is what kills your fellow elevator passengers. Striking is what makes you fall in love and want to marry your own wrist.
Tubereuse Couture is as sexy as it is elegant. The Luckyscent description calls it "very refined". I agree with this assessment. It's not for everyone, but which tuberose scent is?
Image: Basket of Light, Sumpango Guatemala by Flor Garduño, 1989