The floral phase began as a non-aggressive tuberose, probably mellowed by rose, followed closely with an extended period which was all about gardenia. I'm not always a huge fan of white flowers, but I can appreciate them when done right, and in this case I have nothing bad to say, except of a general complaint about the gardenia's tenacity. It never went away, insisting on taking center stage even when it was clearly the base notes' turn to shine. It only allowed the patchouli and vanilla to emerge from time to time and wave to the expectant audience.
I tried to live with Perfect Bliss (EdP) for several days before even considering a review, trying to figure out why despite obviously liking this scent, I wasn't actually enjoying it, if this makes any sense. It smells good, has an amazing lasting power and blooms beautifully in the heat and humidity. Why, then, didn't I feel a need to add it to my "must buy" list?
While Perfect Bliss is a very good perfume, obviously made of high quality ingredients (no syrupy, artificial fruits), doesn't offend my nose nor my skin, and makes me smell "good" for many hours, it's just not me. Eventually I realized what bothered me: It was like wearing someone else's clothes, almost like a costume.
Sarah Horowitz-Thran, the talented perfumer behind this house is an expert in creating one-of-a-kind custom blends. One day I'd love to have one made for me. I wonder what notes she'd put in it. I have a feeling gardenia won't be in that mix. Once I had all the points for this review and understood what I was smelling and feeling, I headed to the bathroom and rinsed it off. Instead, I put on Orris (Tauer Perfumes). It smelled like coming home.
Gardenia print from art.com